Clive Holden (b. 1959, Nanaimo, BC) lives in Stratford, Ontario with his wife, writer Alissa York.

 

His moving image electronic artworks often include algorithmic chance procedures, and complete themselves ‘live’. His work is made with a hybrid blend of analog and digital materials and tools.

It has been exhibited at: Kingsborough Art Museum (New York), Muziekgebouw aan ‘t IJ (Amsterdam), transmediale (Berlin), Stephen Bulger Gallery (Toronto), the Gardiner Museum/CONTACT Festival (Toronto), IFFRotterdam, Anthology Film Archives (New York), the Foreman Art Gallery of Bishops University (Sherbrooke), BOS Fine Art (Utrecht), Southampton Art Center, Images Festival (Toronto), the Art Gallery of Mississauga, the Ryerson Image Centre (Toronto), the European Media Art Festival (Osnabrück), CPH:DOX Copenhagen Documentary Film Festival/Danish Film Institute (winner of the New Vision Award), Kino Arsenal (Berlin), Light Industry (Brooklyn), the London International Film Festival, Toronto International Film Festival, the Pacific Cinematheque (Vancouver), and the Bienal Internacional del Cartel en México (Mexico City).

 

You can contact Clive through Stephen Bulger Gallery in Toronto: bulgergallery.com / info@bulgergallery.com, or via Instagram DM: @cliveholden

 

Related reading:

Sky Goodden: “Clive Holden Grounds the Digital in Aura”, MOMUS A Return to Art Criticism, 2016

Matthew Ryan Smith: “Climbing Internet Mountains, A Conversation with Clive Holden”, Afterimage: The Journal of Media Arts and Cultural Criticism, 2015

Matthew Ryan Smith: “Mediated Algorithms”, Afterimage: The Journal of Media Arts and Cultural Criticism, 2013

Scott MacDonald: “Adventures of Perception – Cinema as Exploration”, U. of California Press, 2009

Vicky Chainey Gagnon: “utopia suite disco – a Self-guided Tour”, PLATFORM centre for photographic + digital arts, 2009

 

Clive Holden (b. 1959, Nanaimo, BC) lives in Stratford, Ontario with his wife, writer Alissa York.

 

His moving image electronic artworks often include algorithmic chance procedures, and complete themselves ‘live’.

His work is made with a hybrid blend of analog and digital materials and tools.

It has been exhibited at: Kingsborough Art Museum (New York), Muziekgebouw aan ‘t IJ (Amsterdam), transmediale (Berlin), Stephen Bulger Gallery (Toronto), the Gardiner Museum/CONTACT Festival (Toronto), IFFRotterdam, Anthology Film Archives (New York), the Foreman Art Gallery of Bishops University (Sherbrooke), BOS Fine Art (Utrecht), Southampton Art Center, Images Festival (Toronto), the Art Gallery of Mississauga, the Ryerson Image Centre (Toronto), the European Media Art Festival (Osnabrück), CPH:DOX Copenhagen Documentary Film Festival/Danish Film Institute (winner of the New Vision Award), Kino Arsenal (Berlin), Light Industry (Brooklyn), the London International Film Festival, Toronto International Film Festival, the Pacific Cinematheque (Vancouver), and the Bienal Internacional del Cartel en México (Mexico City).

 

You can contact Clive through Stephen Bulger Gallery in Toronto:

bulgergallery.com / info@bulgergallery.com, or via Instagram DM: @cliveholden

 

Related reading:

Sky Goodden: “Clive Holden Grounds the Digital in Aura”, MOMUS A Return to Art Criticism, 2016

Matthew Ryan Smith: “Climbing Internet Mountains, A Conversation with Clive Holden”, Afterimage: The Journal of Media Arts and Cultural Criticism, 2015

Matthew Ryan Smith: “Mediated Algorithms”, Afterimage: The Journal of Media Arts and Cultural Criticism, 2013

Scott MacDonald: “Adventures of Perception – Cinema as Exploration”, U. of California Press, 2009

Vicky Chainey Gagnon: “utopia suite disco – a Self-guided Tour”, PLATFORM centre for photographic + digital arts, 2009